子どもに夢を与え(🗃
子どもに夢を与え(🗃)、(🏉)想(🍜)像(⛱)力(🎤)をはぐくむコンテン(🔐)ツ作りをめざして、キャラクター(🔄)ア(🙈)ニメーションを中(🍗)(zhō(📕)ng )心(💴)に(🔎)デ(🌯)ジタル絵本やARといったアプリなどを通して、エ(🥉)ン(🅾)タ(😮)メ(👗)か(👢)ら知育(yù )まで幅広(☕)(guǎ(🔲)ng )く活(huó )動しているスタジオななほ(🕥)しが、ジャンルやメ(💝)デ(🙅)ィ(🤟)ア(🚱)を(😏)問わず、ものづくりを手掛(guà )けるウサギ王(wá(🔆)ng )と(🆘)制(💢)(zhì(👊) )作(🎳)。どこの家にもある縁(🐇)起(🐈)物たちと、彼らが動くさまを見た(🛠)子どもたちとの交(💽)(jiā(📽)o )流(🔎)を(🕑)、(💶)躍(yuè )動感(gǎn )いっぱいに描いたドタバタコメディ(🍟)!
Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.
印(🕣)度(🏽)每(🔎)年(🔙)有超过二万宗针对(✈)(duì(🧥) )女性(xìng )的暴(bào )力罪(zuì )案,平均(jun1 )每二(è(📌)r )十二(èr )分钟(zhōng )就有(yǒ(🚕)u )一(🈂)名(🥂)女(🐡)性(🚡)被强暴,每六小时就有一名妇女因(yīn )家庭(tíng )暴力(🐊)(lì(🎰) )丧(💹)命(🔂)(mì(🌻)ng )。年(nián )轻的(de )基层(céng )女警(💴)(jǐ(🖐)ng )索妮(nī )与上(shàng )司卡帕纳在德里一同(🛡)接手调查不同的女(♋)性(🆗)暴(💴)力(💾)事(♎)件,在办案过程中往往(wǎng )遭受(shòu )到了(le )重大(dà )阻力,无(💊)日(🕵)无(📐)之(🎷)的(🤤)罪案令她脾气暴躁(🚂),做(🔔)事方式偏离常规,被裁定在执(zhí )勤中(🏝)(zhōng )行为(wéi )不当(dāng ),而(é(🔝)r )私(🌀)人(🐁)(ré(⚽)n )生(🍘)活(huó )也影(yǐng )响到(dào )了她(tā )的职业表现,与丈夫已(🕙)经(👅)彼(🍠)此(🌏)疏(📷)离,却要被(bèi )迫面(miàn )对(💰)他(🖨)(tā )突然(rán )的到(dào )访。印度(dù )电影(yǐng )少(✊)见(jiàn )的写(xiě )实题材(🐴),以(⚽)一(⏪)场(🎚)一(🎈)镜营造出真实迫力,将社会低下层女性受到压迫的(🥅)问(😆)(wè(🧓)n )题(🚬)表(🕡)(biǎo )露无(wú )遗。
这部电(💀)影(🌆)的故事背景让人不禁回忆起《逃出绝(❤)命镇》。一位黑人男性((🎆)杰(👠)森(🎚)(sē(🤲)n )·(🍄)米(mǐ )切尔(ěr )饰)在周(zhōu )末的(de )时候(hòu ),因(yīn )为觉(jià(🧑)o )得(🌑)周(🍉)围(🏪)只(❇)有白人朋友所以觉得(🕍)十(🙉)分紧张。当(dāng )然,这部(bù )作品(pǐn )与乔(qiá(🕰)o )丹·皮尔(ěr )去年(niá(🛥)n )那(🥖)部(🛶)(bù(🏷) )符(📴)合(hé )大众口味的《逃出绝命镇》不同。智利导演塞巴斯(💓)蒂(🎴)安(🌈)·(⛑)席(💟)尔瓦是一个(gè )古怪(📖)(guà(🌖)i )的人(rén ),他(tā )的电影如《女仆》、《水晶仙(🥐)女》、《肮脏的婴儿》都倾(🅾)向(😫)于(🤽)剑(💡)走(🤸)偏锋(fēng ),故(gù )事开(kāi )始会(huì )有点(diǎn )怪异(yì ),而(ér )之后(👱)(hò(🚲)u )则(🧒)会(〰)(huì )变得(dé )更加怪异。这(🦎)种(🧙)风格对于《周末生日游》意(yì )味着(zhe )什么(📪)(me )呢?还不(bú )知道(dào )。但(🈶)(dà(🧡)n )我(🤡)们(〰)(men )非常(cháng )期待(dài )这种不确定性,况且演员阵容中还有(🆕)克(👁)里(🏻)斯(👏)托(😱)弗·阿伯特、迦勒兰(📚)德里(lǐ )·琼(qióng )斯,迈(mài )克尔(ěr )·塞拉(⏩)和安·道德。
圣诞节,米(🛡)格(🧤)兰(🔙)一(🌑)家(🧀)发现全家已被神秘的金属物质(zhì )包围(wéi ),但(dàn )究竟(🏺)(jì(🤫)ng )是(❇)什(📝)(shí )么,工业(yè )事故(gù )?(🦁)恐(🗓)(kǒng )怖袭(xí )击?核战争?在电视机上(👈)出现了“进一步的(de )指示(✖)(shì(🗿) )”,他(🖕)们(🏨)(men )按照(zhào )电视(shì )机的(de )指示(shì ),展(zhǎn )开了(le )血腥的屠杀…(🈂)
Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.
Cut off from home and facing an impossible mission against mounting odds, "Deep Six" is a hyper-realistic live-action portrayal of a deep space forward operating base at a pivotal moment for humankind 250 years in our future.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
2018年(⏫)12月(✌)9日(🌖),首(👆)届海南岛国际电影节(✔)国际影展开幕式,在海南(nán )省三(sān )亚(✳)市(shì )大东(dōng )海广场沙(🚼)滩(💊)举(♊)行(🗝)。为(📌)推进海南电影产业发展、实现本土化与国际化兼(📘)顾(🔵)(gù(🍐) )的(🔧)格(gé )局,此次(cì )国际(jì(🤺) )影(🥗)展(zhǎn )还特(tè )别开(kāi )设了(le )“海(hǎi )南新力(👚)量”展映单元。该单元公(🤢)开(🗯)征(📝)集(💥)到海(hǎi )南作(zuò )者、海南(nán )制作(zuò )的影(yǐng )片共(gòng )七(😁)十(🐣)(shí(🥧) )余(💁)部(🍦)(bù )。选(xuǎn )出《藏北密岭—(🌋)重返无人区》、《追梦的黎族女娃娃》、(👶)《九号重案》、《焉知(zhī )非(🚤)福(🙂)(fú(🌎) )》、(🌿)《侬(🕓)婆》、《无间》、《余光童梦》、《完人测试》、《开着房车(chē )环(🥉)岛(🌽)(dǎ(🕷)o )游(㊗)》共九(jiǔ )部优(yōu )秀作(zuò(🌞) )品(☕)。开幕(mù )式中(zhōng ),著(zhe )名导演谢飞、黎族(🗒)女演员谭小燕共同为(🛥)影(😤)片(💗)(pià(🐷)n )代表(biǎo )颁发(fā )了入(rù )围证(zhèng )书。
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