時は安(ān )土桃山ą
時は安(ān )土桃山時代(dài )。忍びの郷を抜けた篠(xiǎo )(17)は、追手から逃走する際に2015年にタイムスリップしてしまう。
An homage to European exploitation of the 60s and 70s. A man searches for his missing girlfriend, who has been abducted by a clan of vampires, led by an insane Nazi doctor. He must now battle this horde of bloodsuckers in order to retrieve the soul of the woman he loves, and save his own from eternal damnation.
A group of kids travel to an abandoned island for a party only to discover that they are being stalked and hunted down by a dangerous predator.
和女友分手(shǒu )后，一位布(bù )鲁(✖)克林的(👟)音(yī(📰)n )乐家(jiā(🛏) )回到(🏪)了她住(🦄)(zhù )在(♏)中西部(🐾)的(de )妈(🍮)妈处。她(✨)(tā )一(🎛)边在家(🃏)乡(xiā(🥞)ng )游玩，一(🎶)边(biā(🚇)n )在一个(🔮)老朋(🍘)(péng )友的(🖱)(de )酒吧(😡)演奏赚(👍)(zuàn )点(👬)小钱，一(🏰)段意(🎲)料之外(🍺)(wài )的(🗾)关系开(💝)始(shǐ )发生。
深夜(yè )在某(mǒu )修车行里，被拖欠了大(dà )半年工资的马答向老板(bǎn )萧狐狸讨薪(xīn ),不料神秘歹(dǎi )徒黑(hēi )刁闯入修车(chē )行，似乎要(yào )与他们接头(tóu )销赃(🤸)。这让(rà(🔼)ng )二人(⛑)不明所(📄)(suǒ )以(🐛)。其实车(🐄)(chē )上(🗓)还(hái )有(🔳)一名(⏲)不省(shě(🥞)ng )人事(🚁)的壮汉(📃)(hàn )王(✋)灞，后备(🌍)(bèi )箱(👆)里还捆(💈)着(zhe )一(📒)位作为(😲)人(ré(🤝)n )质的美(🏊)女娜(🏗)(nà )沐薇(🛴)(wēi )。深(🌓)夜的修(🌅)(xiū )车行里，这一群各具特(tè )色的人物发(fā )生了奇妙的(de )命运(yùn )纠葛……
中(zhōng )年建築師遇(yù )上人生瓶頸，在家被老(lǎo )婆嫌棄，公(gōng )司小開兔死(sǐ )狗烹(pēng )。失業的他(🦆)(tā )在曼(👨)谷街(👥)頭(tóu )驀(🐶)然回(🎹)首，瞥見(⛱)大象(🚁)Pop Aye，憶起歡(🏎)快的(⬆)(de )童年時(🏐)光，毅(🔒)然(rán )買(🦖)下大(📪)象，卻發(🍹)現都(🧙)市(shì )生(📕)活容(🕛)不下(xià(🚑) )他倆(😐)，打算(suà(🍊)n )和老(💈)象一路(⏳)(lù )向(💷)北返鄉(🙅)。這趟(🙌)(tàng )人與象的公(gōng )路之旅，途中狀況不斷(duàn )，所幸萬能(néng )的象鼻領著(zhe )他倆(liǎng )，與沿路風(fēng )景相伴。《爸媽不在家》導演陳哲(zhé )藝監製，阿(ā )比查邦御用(yòng )剪接(jiē )操(📣)刀，看擅(🦏)(shàn )長(🏷)冷幽默(🐽)的(de )才(👵)女導演(😶)陳(ché(😊)n )敬音，用(🕚)象(xià(🤰)ng )鼻對抗(🖖)中年(🐼)(nián )危機(🏢)！將泰(🗝)(tài )國鄉(💣)(xiāng )下(👍)的荒涼(💦)風(fē(⌛)ng )景，轉變(🙍)成(ché(🔀)ng )一首洋(🌸)溢著(💶)(zhe )淡淡霓(🤫)虹光(❕)(guāng )芒的(🔆)自我(🐄)蛻(tuì )變之歌。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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