伊格内修是中(zhōn
伊格内修是中(zhōng )产阶级(🔊)，他经(🚯)营着一(yī )家(jiā )自己(🍗)餐厅(🍚)，并且(📢)铁(tiě )腕管理。因此与员工(gō(🛒)ng )不断(〰)(duàn )产(chǎn )生摩擦，尤其(🛴)是和(💭)(hé )厨(🍪)(chú )师。一次，员工没(mé(🔧)i )打(dǎ )算(👟)联手(💨)设局反抗他(tā )，然而(🕞)事情(😱)却并(🔦)没有按(àn )照(zhào )计划(🏥)中(⛺)进行(🔭)...
爱情侦(zhēn )探社是一个神(📽)秘低(🌍)调(dià(🐈)o )的公(gōng )司，主要业务是(🎳)(shì )小(🚷)三(sān )劝(quàn )退，社长马葶拥(💑)有(yǒ(✍)u )绝(jué )佳的政商手腕，周(zhōu )旋(🍕)(xuán )在(⛺)名人富豪之间。手(shǒu )下的(💇)成员(🎢)集合了侦探(tàn )、律师、心(⛳)理学(🍏)家等(děng )人才，他们都(🗡)有着(🐂)不(bú(🤣) )能摊(tān )开(kāi )在阳光下的秘(🔌)密人(👻)(rén )生(shēng )。有一天，侦探(🚵)社(shè(🌫) )接(jiē(🍞) )到一个案子，随着(zhe )案(🖼)(à(🚄)n )情抽(🛂)丝剥茧，进或退(tuì )都(dōu )会(🗓)影响(🏘)侦探(📧)社的存(cún )亡。在爱情(🐬)的(🕒)十字(✋)路(lù )口，他们开始疑惑，究(🤖)竟(jì(🍝)ng )谁(shuí )才有资格获得真爱(à(🦖)i )？这(🆕)场正宫与小三之(zhī )间(jiā(💯)n )的对(🥎)决，究竟谁才是(shì )最后赢家(🧓)？
叶(🕣)苍受师(shī )傅(fù )之命(🎉)进入(💖)云都(🥥)照顾(gù )一位故人，不想这位(🎼)(wèi )故(🧜)人(rén )早(zǎo )已亡故；(⭕)叶苍(🍏)本想(🕷)(xiǎng )就(jiù )此离去，此时(💕)却(♒)发(fā(🔴) )现(xiàn )一名女子与自己有(🍁)(yǒu )着(🈁)(zhe )太多(🏂)的命运纠葛，因(yīn )此(🍟)(cǐ(🎌) )叶苍(💙)改变主意留在(zài )了云都(🅾)；只(🙏)是此时的(de )云都(dōu )风雨飘摇(🎥)，荼攴(🤖)(pō )与慕(mù )乘(chéng )风正密谋(🌗)夺取(🛴)王权(quán )；而为了维护那名(✏)女(nǚ(🚅) )子(zǐ )路凝霜，叶苍展(⚪)现自(🦊)(zì )己(🚭)超群的智谋，将大(dà )局(jú )掌(❄)控在(🥜)自己的手中(zhōng )，终护(🥪)的那(📤)名女(💂)子不(bú )受丝(sī )毫(há(🏖)o )损(🥊)伤…(🏢)…
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
剧情描述(shù )两(liǎng )个怀(😪)揣梦(🦏)想远(💂)大抱(bào )负(fù )的艺校(😔)女(🗽)生，在(🐰)舞(wǔ )蹈(dǎo )的路上完善完(🤖)美自(🎎)己(jǐ )以(yǐ )及追逐对自己青(🔁)春(chū(💻)n )路(lù )上的友谊和情感，主(🤗)角(jiǎ(⌛)o )因嫉妒闺蜜女二(èr )受到(dà(🐁)o )了(le )魔(📶)镜的诱惑，连环(huán )杀(🥜)(shā )害(➡)自己(🥃)的同伴和校(xiào )友(yǒu )以满足(🍾)内心(⚓)对女儿的(de )嫉妒欲望(🎯)达到(🔢)最终(🍻)目(mù )的(de )，女二由于病(🤚)情面(mià(🙉)n )临必须放弃梦想的处(chù(🐋) )境中(⛷)(zhōng )，在(🥔)得到绣花鞋后得(dé(🦆) )知(🏘)(zhī )也(🌍)需要他人付出生(shēng )命(mì(🚤)ng )，但是(🍏)为了救人决(jué )定(dìng )穿上绣(🐊)花鞋(🔊)的和女主(zhǔ )角做斗争，男(🏇)主是(🐸)个(gè )英(yīng )俊帅气的校草，对(🕘)(duì )女(😦)一(yī )和女二怀有模(🎏)凌(lí(🦔)ng )两可(🍥)(kě )的(de )感情纠纷，剧中一(yī )直(🥣)(zhí )被(🅾)魔镜和绣花鞋牵(qiā(🗜)n )引(yǐ(🌜)n )着剧(🔔)情，女主用罪恶(è )的(💼)方式达(🚞)到目的后到(dào )头(tóu )来内(🥨)心一(🤒)无所(📘)有，最后女二因内心(🔶)的(🌸)焦(jiā(💄)o )虑和(hé )不安惶恐，才发现(🌐)这(zhè(🚜) )全(quán )部都是她做的一个(gè(🏨) )噩(è(🎄) )梦，醒来发现自己(jǐ )在(zà(📵)i )病床(📤)上
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
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