德蒙(méng )特·莫
德蒙(méng )特·莫罗(luó )尼、理查(chá(👪) )德·哈(🔲)蒙(méng )加(🗓)盟惊悚(😌)(sǒng )片[千(⛓)次伤我(🥁)心]。该片(🌕)根据丹尼(ní )尔·沃特(tè )斯的同名(🕦)(míng )小说(🌋)改编(⏮)(biā(🐂)n )。斯科(♎)特(⛽)(tè )·斯皮尔(ěr )([舞出我人(rén )生4])执导，贾森·福(fú )克斯编(😀)剧(jù )，贝(💈)拉·索(♓)恩主演(📚)(yǎn )。该片(♐)设(shè )定(🧜)于洪水(shuǐ )劫难之后，鬼怪族群“残渣(📺)”出现。多(🏇)年后，这(🚗)些族(🔜)群(🔉)恐(kǒ(👶)ng )吓(🥝)年轻女(nǚ )子(索恩饰(shì ))，而她必(bì )须(xū )冒险找到(🔸)(dào )生存(🤐)之路(lù(👲) )。
"Heidi (Osment), who initially left her small town of Pleasant Valley with the dream of one day becoming a successful painter, has put her own art on hold to excel as an art gallery curator. Now, a week before the gallery's big Christmas party, she must return home to watch her niece and nephew. She comes face to face with her high school love, Chris, now a teacher, who is in over his head after he must find a new last-minute location for the Christmas dance. Heidi offers to help him and together they discover a beautiful place for the dance, perfectly capturing the Christmas spirit, called Wonderland Farms. The more time Heidi spends in Pleasant Valley decorating for the Christmas SnowBall, the more she finds herself inspired to start painting again. With Christmas fast approaching, Heidi soon becomes torn between the life she built in the city and the life she is surprisingly charmed by back in Pleasant Valley, embracing her true passion."
牧江村(🔗)(cūn )郊野(🐳)山藏(cá(🚃)ng )有一怪(🗒)，赤面獠牙，名曰垃圾人，他身(shēn )世神(🅱)秘，以垃(🤷)圾为(🔋)(wé(🐱)i )食，日(🦊)遇(🗽)(yù )村妇马秀(xiù )娟，将其(qí )掳掠。马(mǎ )秀娟通过(guò )与垃圾(♏)人(rén )的(⚪)交往，发(⏫)现他虽(📸)(suī )丑陋(🥏)骇人(ré(🤣)n )，却心地(dì )单纯。但(dàn )天不遂人愿，“单(🎰)纯”的垃(🛴)圾人却(⬆)将马(🐇)秀(🥘)娟视(🌤)为(🐠)配偶，囚(qiú )于废弃厂(chǎng )房。矿山(shān )老(lǎo )板徐东(dō(🏳)ng )南(nán )徐(🔇)西北两(🕟)(liǎng )兄弟(👇)欲借(jiè(😐) )炸山除(🍉)垃(lā )圾(🛏)人之名(míng )在野山非(fēi )法拓矿，全然(💒)不顾马(🔴)秀娟(🚿)安(🤚)危(wē(🙇)i )。而(♌)垃圾(jī )人通过马(mǎ )秀娟逐渐(jiàn )了解人类(lèi )的尊重与(🚄)(yǔ )爱，遂(🔊)将(jiāng )其(🈂)放归牧(🌂)(mù )江村(🏿)。马(mǎ )秀(⏸)娟得知(zhī )徐东南阴(yīn )谋后为救(jiù(😅) )垃圾人(❗)与(yǔ )之(🤚)抗争(🍪)，最(🎳)终被(❄)绑(📉)于山上，垃圾人为救马秀娟与徐东南死命相搏(➗)，后被徐(🆕)东(dōng )南(🍋)炸死。环(🚿)(huán )保组(🤰)织(zhī )声(🔤)(shēng )明垃(🔚)圾人(rén )出现乃牧(mù )江村的环(huán )保(👤)意识薄(✋)(báo )弱之(🔷)恶果(🐦)(guǒ(🐨) )，垃圾人本无罪，罪在人心对(duì )环境的态(tài )度，并呼(hū )吁(🌠)民众善(🌋)(shàn )待环(🐄)境。
本片(🔧)撷取(qǔ(🆖) )了发生(🍡)在(zài )中国北方(fāng )小城镇中(zhōng )一个中国(guó(🥓) )青年出(💡)狱(yù(👙) )后(❓)的一(🥧)段(🍣)(duàn )人生经历(lì )，讲述了(le )一个小人物在商品经济的大潮(💏)中与时(🎤)代的隔(💙)离，以及(♐)人们(men )对(💀)金钱的(🥩)(de )崇尚和理(lǐ )想(xiǎng )、道德的(de )流失，对(🏆)(duì )社会(👍)与人(ré(🏑)n )性作(👾)出(🚌)了(le )深度拷问(wèn )。尤其是(shì )本片以中国农历冬季的四个(🦂)节(jiē )气(👊)作为篇(🦂)(piān )章，具(🥏)有(yǒu )强(🌹)烈的中(😰)(zhōng )国文化符(fú )号视觉。
藝術家自(zì )古皆寂(⛽)寞(mò )或(🏁)許是(⛽)境(🦖)(jìng )界(📹)，人(🐰)到(dào )中年萬事(shì )憂則是現(xiàn )實。在畫(huà )室洋洋灑灑呈(📄)現自由(👿)雄風的(🍸)裸男畫(🥜)作令他(🌘)一舉成(🏌)名，在家(jiā )面對前妻(qī )懷着新歡(huā(🌕)n )骨肉、(🍙)與(yǔ )女(🤴)(nǚ )兒(🍋)相(🎐)處尷(🚅)(gān )尬卻令他(tā )一籌莫展(zhǎn )。貝蒙特(tè )的寂寞，在於(📓)如何(hé(🐴) )在著名(🍒)畫家與(🏘)單親爸(🍆)爸雙重(🏟)身(shēn )份、藝術(shù )創作與家(jiā )庭生活之(zhī(🏄) )間取得(🏻)平(pí(🐢)ng )衡(🅱)。維羅(👏)(luó(🥩) )（《電影(yǐng )就在街角(jiǎo )》，35 屆）找來合作(zuò )多年的編(biān )劇(🛫)兼美指(🥤)(zhǐ )好友(🔷)對號(hà(💜)o )入座，還(🚸)原藝術(♟)家有血有肉的矛盾本性，在出世與(🧔)入世的(🧗)(de )兩難外(🚫)，毋忘(🥁)點(⛩)點(diǎ(🥔)n )超現實的(de )幽(yōu )默。
When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.
详情
