20世纪(jì )福(🍬)
20世纪(jì )福(🍬)克(⚡)(kè )斯最近买(mǎi )下了(le )Alma Katsu下部小(🎍)说(🚿)(shuō )《饥(jī )饿》（The Hunger）的电(diàn )影版(🗝)权(😚)，这(🌶)部小说以《行尸走肉》的风格(👓)叙(🚷)述了北美历史上最恐怖的(🐸)一(🥄)段“食人”历史。
本片讲述了女(🥍)(nǚ(🛒) )主(👤)角之间的竞(jìng )技对决和(🐔)爱(📑)情(😝)(qíng )纠葛的故(gù )事，在生与死(👔)(sǐ(🍄) )、爱(ài )与恨、真(zhēn )相与(yǔ(🥏) )谎(♿)言中她(tā )们所(suǒ )发生的不(❗)(bú(🚔) )可(👳)思(sī )议的人生(shēng )转变(biàn )。
银(🚌)行(🏄)经(jīng )理雅(yǎ )各布(弗兰(lán )克(㊗)·(🏅)格里罗饰(shì ))的同(tóng )事被暴(🔸)徒(🎺)(tú(👹) )夺去(qù )生命，而(ér )他将(jiāng )和(🏳)警(🉑)察(布鲁斯·威利斯饰)联手(🥀)制(🔳)服凶手。
本片撷取了发生在(📟)中(🕯)国(⛄)北方小城镇中一个中国(🚦)青(🐤)年(🥥)出狱后的一(yī )段人生经历(🌥)，讲(🍽)述了一个小(xiǎo )人物在商(shā(🕝)ng )品(🏑)经(jīng )济的大潮(cháo )中与(yǔ )时(🌃)代(🤬)的(👢)隔(gé )离，以及人们(men )对金(jīn )钱(🥈)的(👭)崇尚(shàng )和理(lǐ )想、道德(dé(🏾) )的(🌈)流(liú )失，对社(shè )会与(yǔ )人性(❤)作(🤔)出(🐙)(chū )了深(shēn )度拷问。尤其(qí )是(🐉)本(😓)片以(yǐ )中国(guó )农历冬季的(🛎)四(😏)(sì )个节气作为篇章，具有强(💺)烈(🥇)的(🆖)中国文化符号视觉。
Three terrifying tales to keep you awake all night: ‘Night of the Sea Monkey’, ‘(🍈)Lamb Feed’(🐷) and ‘Homewrecked’ – a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.
晴晴和小雨一起来(📨)到(🧙)城市打工投奔老(lǎo )乡莹莹(🥩)，途(🍐)中(zhōng )遭绑架团(tuán )伙赵(zhào )卓(🕷)和(🥨)四(👇)通(tōng )绑架(jià )，影片以(yǐ )恢弘(👇)(hó(🔺)ng )幽默的手(shǒu )法讲(jiǎng )述晴晴(🎱)小(☔)(xiǎo )雨与(yǔ )犯罪分子(zǐ )斗智(🐊)(zhì(🍯) )斗(🍮)勇的故(gù )事。
Filmed on the beautiful islands of Greece, "With a Kiss I Die" is a dark love story about Juliet Capulet (from Shakespearean fame) who is forced to live for all eternity knowing that her true love died in her arms nearly 800 years ago. Broken and numb, she meets a young woman who captures her heart again, and teaches her that love and loss are all a part of life, and that a life without love is no life at all.
An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer,...
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
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