王小丁(🧡)（贾(ji.
王小丁(🧡)（贾(jiǎ )景(jǐng )晖(🍝) 饰）是(shì )替(🌑)(tì )某网站工(🍭)作的摄影记者(😂)。生活(huó )里(lǐ(🌸) )，王小丁(dīng )总(🤙)(zǒng )是一副吊儿(⛅)郎当的样子(🚏)，没有(yǒu )任(rè(👩)n )何一件事(shì )情(👬)能够让他上(🔌)心，无(wú )论是(💛)对待工(gōng )作(zuò(📨) )还是人际(jì(🆓) )关系，王小丁都是无(wú )所(suǒ(👯) )谓的态度(dù(😾) )，整天浑浑噩噩的混日子。王(👌)(wáng )小(xiǎo )丁(dī(😕)ng )的现状连(lián )神(👊)仙都看不下(💉)去了，于是派(🌦)出了(le )缞(shuāi )神（(🤝)赵骏(jun4 ) 饰）来(🛥)到他的身边(🍑)，希(xī )望能够帮(🤷)(bāng )助(zhù )他重(🐭)新找回生命(🧑)的意义。可是(shì(🦈) )很(hěn )快缞神(🍑)便(biàn )发(fā )现(😥)，王小丁的无赖(♐)远远超过了(✨)(le )他(tā )的预期(🐜)，他竟然对他毫(⏺)无办法(fǎ )。
由(🎨)于Sara处在(zài )不(bú )可思议的(de )行(🚖)为的风口浪(📐)尖，一(yī )个(gè )无法预料(liào )和(🎴)(hé )尴尬的遭(🗽)遇使她有机会(⭐)目睹(dǔ )她(tā(🎩) )的(de )破坏行为(🚱)(wéi )的潜在后果(🍡)。 但这是第二(🗞)次机会(huì )还(🍕)(hái )是承认有(yǒ(🐫)u )罪？
建筑工(☕)程师迈克(kè(😛) )尔打算带着(zhe )十(⏩)(shí )四年都未(🐓)曾联系的儿(🔬)子路易斯(sī )去(🧣)(qù )挪威参加(⬜)(jiā )父(fù )亲的(🚡)葬礼。二人因此(🛡)有了一段(duà(👲)n )从(cóng )未有过的(de )独处时光，迈(🆑)克尔也(yě )想(🕎)借此机会(huì )弥(mí )补自己作(🤡)(zuò )为父亲缺(🔱)席的十四年(niá(📭)n )。然而，无(wú )论(🧣)(lùn )迈克尔怎(📀)样试图和儿子(🏳)沟通(tōng )都(dō(🌧)u )无(wú )法得到(🏗)积(jī )极的回应(🔟)，二人之间仿(😏)佛有着一(yī(🔼) )堵(dǔ )无法逾越(👔)(yuè )的心墙。尽(👴)管这一路(lù(🚃) )上遇到的种(zhǒ(🔰)ng )种(zhǒng )麻烦让(🏀)路易斯一直(🌂)埋怨父亲的(de )粗(🍴)(cū )心大意，迈(✊)(mài )克尔依然希望能够推翻(🔡)彼此间(jiān )的(🕝)(de )隔阂。
Candice（王奕瑾饰演）去东(🕤)京拜访家族(🎦)的(de )合(hé )作伙伴，进行商务之(🈶)旅同时，好(hǎ(👀)o )奇心重的(de )她(tā(🎄) )为已逝世16年(🔛)的叔叔找寻(👆)旧爱Joyce(朱(zhū )永(yǒ(⛹)ng )菁饰演)。然而(📩)，Joyce当天却没有(🤺)依约在东京铁(📑)(tiě )塔(tǎ )出现(✨)。Candice置(zhì )身在语(🔞)言文化陌生的(👅)(de )环境，不仅(jǐ(💪)n )迷(mí )失在东(🤧)京街头 ，面对人(🎂)事已非(fēi )的(🔏)(de )东京，对(duì )于(yú )寻人任务是(🌳)否能完成更(🗺)是没(méi )有(yǒu )把(bǎ )握。当Candice终(zhō(📐)ng )于克服重重(🐅)困难与Joyce见面。Candice满足了(le )刺(cì )激(❎)人生的(de )渴望(🕧);然而，她所追求(🥑)(qiú )的(de )刺激，却(🚙)(què )在(zài )Joyce平静(🕰)的人生投下一(🖲)颗震撼弹...
出(🐏)(chū )租(zū )车司(🚸)机栗(lì )花的丈(🦉)夫因车祸去(🕛)世。栗花与儿(🕛)(ér )子(zǐ )张明明(😪)的(de )关系紧张(㊗)，为得到儿(é(🌄)r )子的承认，她(tā(😩) )决定做儿子(🏨)崇拜的英雄。她化(huà )身(shēn )出(🥧)租女侠(xiá )惩(🛶)(chéng )恶扬善，无意中招惹了贩(🚩)卖(mài )人(rén )体(📂)(tǐ )器官的组(zǔ )织。栗花最终(🏍)打败邪恶组(🏗)织，成(chéng )为(wéi )儿(🈴)子敬爱(ài )的(💉)母亲。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.
A formal Naval officer is forced into piloting a Narco submarine for a Mexican drug cartel looking to move a big load of cocaine.
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